On Whose Terms? Ten Years On… (in Critical Negotiations in Black British Literature and the Arts) Goldsmiths, University of London, UK. March 22nd-23rd 2018

The cultural power of Black British* literature and the Arts resides as much in the exploration of pressing cultural concerns, as in its innovative material aesthetics and textual practices. The 2008 landmark conference ‘On Whose Terms?: Critical Negotiations in Black British Literature and the Arts focused upon local, international and transnational engagements with Black British literature and the Arts, to trace the multiple – real and imaginary – routes through its production, reception and cultural politics.

*Black British indicates a scope, for ease of reference, to a body of work by writers of African descent in a context of literary history, rather than as imposing racial restrictions upon complex possible identities and self-terming.

This 2018 return conference, ‘On Whose Terms?: Ten Years On… aims to chart what has happened throughout the past the decade, and once again to provide a vibrant meeting opportunity for prominent and emerging scholars, writers and practitioners, young people and the general public to explore and celebrate the continued impact of this field, both at home and abroad.

We invite proposals across a broad spectrum of areas: drama, poetry, prose, performance, film, visual arts, music, curating, publishing, arts management and history.

http://www.gold.ac.uk/theatre-performance/on-whose-terms/call-for-papers/


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